Performance & Instruction:
Kay Hettich
HOMEPAGE
PERFORMANCE
Music for Weddings,
Parties
& Special Occasions
Upcoming Events
Previous Events
BIOGRAPHY
CONTACT
INFORMATION
Kay Hettich
Rates
References Available
PERFORMANCE FLYER
REPERTOIRE
About the Recorder
About the
piano
&
digital Stage piano
Repertoire lists
PHOTO
GALLERY
Pictures
2005 - 2008
QUESTIONNAIRE
What kind of Event
are you planning?
LESSONS
Piano
Recorder
ENSEMBLES
Recorder Ensembles
in Redding, CA
American Recorder Society: Redding Chapter
MUSIC & INSTRUMENTS
Courtly Music
Unlimited
Nicholas S. Lander
www.recorderhomepage.net
Prescott Workshop
von Huene Workshop,
Inc.
RECORDERS & EARLY MUSIC
American Recorder Society (national site)
Member of Early Music America
San Francisco Early Music Society
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Recorder and Piano World: Repertoire
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Repertoire:
Keyboard Repertoire|
Recorder Repertoire
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Medieval |
Renaissance | Baroque | Classical Period | 20th-century |
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Contemporary Christian | English, Scottish & Irish Music
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International Folk Songs & Dances
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is
an "Early Music" instrument. It flourished during the Medieval
(1200-1450), Renaissance (1450-1600), and Baroque (1600-1750)
periods of European history. The recorder was then "re-discovered"
in the Early Music movement of the early 20th century and has
continued to gain popularity. |
These dates represent approximate stylistic boundaries across many
different countries. The dates for Medieval music might be termed
"late Medieval," coinciding with the appearance of the "Notre Dame
School" in Paris and the preservation of a substantial amount of
written music. |
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Two basic types of recorders exist:
Renaissance and
Baroque.
Renaissance recorders were usually played in consorts, that is,
ensembles of blended ranges. A consort might consist of soprano,
alto, tenor, and bass recorders.
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Music studio with
recorders |
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Baroque recorders
are more common. They are
often played as solo instruments or solo with accompaniment. Duets
are also common. |
The popularity
of the recorder diminished during the Classical Period
(1750-1800) with the development of other, orchestral
instruments with metal parts that were capable of greater
dynamic contrast and volume.
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The
recorder is a professional, as well as amateur, instrument.
Although often associated with a grade-school flutophone, the wooden recorder is an
ethereal-sounding instrument. Throughout the Baroque period, composers
treated recorder
(Blockflöte)
as an equal to the
transverse (horizontal)
flute. George
Friedrich Handel composed half of his "flute" sonatas for the recorder. |
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is
a well-known instrument. The first pianos were made in Italy by
Cristofori in 1709 and 1711. During the 18th century, improvements continued
to be made. An iron frame, introduced in the 19th century, allowed
for greater tension on the strings. |
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The piano became the dominant
instrument of the 19th century, i.e., the Romantic period. Its
popularity was in direct inversion to the recorder which was nearly eclipsed
during the same period. |
Kay playing the Digital
Stage Piano |
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During the 19th century, the
piano became a "household" instrument. The ideal of being an accomplished
person included learning how to play the piano. |
Composers for the piano
during the Classical Period include W.A. Mozart, Joseph Haydn, and Ludwig
van Beethoven. Composers for the piano during the Romantic period
include Franz Schubert, Frederic Chopin, Robert Schumann, Johannes Brahms,
and Franz Liszt. Claude Debussy and Maurice Ravel are among 20th-century
composers for the piano. |
Piano is the
instrument used for ballet accompaniment. "Ballet" piano
music draws upon original works for piano, as well as orchestral
transcriptions, Broadway show music, operatic transcriptions,
rag-time music, marches, popular songs, and vocal arrangements.
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Digital Stage Piano—a
unique category among electronic keyboards—has a default "piano"
setting that closely resembles a nine-foot concert grand piano.
As an electronic keyboard, it is also programmable to
harpsichord and organ timbres. Sounds of orchestral string and
brass ensembles make it ideal for the performance of
Baroque music.
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preferences
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I enjoy
both instruments equally, partly because their repertoires are almost
entirely different.
I am inspired by recorder music from the
Medieval, Renaissance, and Baroque periods—before the piano even existed.
Also, the recorder, as a melodic instrument, plays beautiful
melodies. These come as an array of international folk songs and dances.
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Recorder is an
ideal ensemble instrument; that is, it is meant to be played with others.
Recorder
sounds lovely—
with other
recorders (duets, trios, quartets, and quintets)
with
guitar, lute, piano, or harpsichord accompaniment
in
ensembles with modern instruments—including flute, oboe, clarinet, bassoon,
violin, viola, cello, and natural French horn
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Then I also love playing keyboard.
I especially enjoy playing
Baroque repertoire on the
digital
piano
set to harpsichord and clavichord
settings. I
appreciate the rich sound of the Romantic piano literature, as well some
beautiful selections from the 20th century. |
Both piano and recorder are suited for the performance of
contemporary Christian music. |
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Click on
Next Page for Keyboard Repertoire Lists. |
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